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Kim André Arnesen Arnesen's music is lovely and worth hearing… Sacred and secular, there is much to admire.– American Record Guide Kim André Arnesen Born in 1980, Kim André Arnesen is one of the most frequently performed composers from Norway today. He grew up in Trondheim where he was a chorister in the Nidaros Cathedral Boys’ Choir, later being educated at the Music Conservatory in Trondheim. With an interest in baroque music, contemporary classical music, and popular music, Kim could have taken many roads, but choral music became his greatest passion. As a composer, he had his first performance at the age of 18 with the boys’ choir. Since then he has written music that has been performed and recorded by choirs all over the world. In 2015–16, Kim was Composer-in-residence for the Denver-based choral ensemble Kantorei and Artistic Director Joel Rinsema. The residency concluded with the recording of Kim’s second CD album released in early 2018 on Naxos Records. He continues to enjoy a busy international schedule of commissions. Kim André Arnesen Born in 1980, Kim André Arnesen is one of the most frequently performed composers from Norway today. He grew up in Trondheim where he was a chorister in the Nidaros Cathedral Boys’ Choir, later being educated at the Music Conservatory in Trondheim. With an interest in baroque music, contemporary classical music, and popular music, Kim could have taken many roads, but choral music became his greatest passion. As a composer, he had his first performance at the age of 18 with the boys’ choir. Since then he has written music that has been performed and recorded by choirs all over the world. In 2015–16, Kim was Composer-in-residence for the Denver-based choral ensemble Kantorei and Artistic Director Joel Rinsema. The residency concluded with the recording of Kim’s second CD album released in early 2018 on Naxos Records. He continues to enjoy a busy international schedule of commissions. I denna ljuva sommartid (In this sweet summertime) SSAA (with divisi) a cappella Duration: c5 minutes 48024604 $2.50 More Info Commissioned by Kvindelige Studenters Sangforening, Oslo, Norway, and Marit Tøndel Bodsberg Weyde, conductor Commissioned by Kvindelige Studenters Sangforening, Oslo, Norway, and Marit Tøndel Bodsberg Weyde, conductor I denna ljuva sommartid (In this sweet summertime) is a well-known traditional summer psalm in Sweden. The text is of German origin, written in 1653 by Paul Gerhardt (1607-76) with the title Geh aus, mein Herz, und suche Freud and also called Sommerlied. The Swedish version is sung with different melodies, including one that is part of the Swedish Hymnal Songbook and sung in schools before the summer holidays. In this arrangement, I’ve used a traditional melody from Malung in Sweden and three of the eight verses of the psalm, which describe summer as a gift from God. As a composer, arranging songs that can be regarded as a national treasure in another country is something that is done with great respect. But also, working with another country’s traditional music, music that is not in one’s own blood, can hopefully result in a fresh and new take on the original. Arranger's note Arranger's note I denna ljuva sommartid (In this sweet summertime) is a well-known traditional summer psalm in Sweden. The text is of German origin, written in 1653 by Paul Gerhardt (1607-76) with the title Geh aus, mein Herz, und suche Freud and also called Sommerlied. The Swedish version is sung with different melodies, including one that is part of the Swedish Hymnal Songbook and sung in schools before the summer holidays. In this arrangement, I’ve used a traditional melody from Malung in Sweden and three of the eight verses of the psalm, which describe summer as a gift from God. As a composer, arranging songs that can be regarded as a national treasure in another country is something that is done with great respect. But also, working with another country’s traditional music, music that is not in one’s own blood, can hopefully result in a fresh and new take on the original. Falling into Mercy SATB (with divisi) & optional piano (maximum divisi SSAATTBB) Text by Euan Tait Duration: 4 minutes 48024608 $2.50 More Info Commissioned by the Stangeland Family Youth Choral Academy of the Oregon Bach Festival, in honor of the Academy’s 20th Anniversary; and St. Olaf College and Anton Armstrong, Professor of Music and Conductor of the St. Olaf Choir Commissioned by the Stangeland Family Youth Choral Academy of the Oregon Bach Festival, in honor of the Academy’s 20th Anniversary; and St. Olaf College and Anton Armstrong, Professor of Music and Conductor of the St. Olaf Choir This work comes from amazement – that the encounter with divine love, our relationship with the sacred, is to be constantly astonished by the endlessness of the depths of love. Love's persistence, again and again, whatever our failures to be people of love, is our reassurance of our precious and limitless value in the eyes of our Creator. And this mercy, this depthless mercy, frees us to become ourselves most fully, uncertain, but tenacious pilgrims. The music should be driven forward with particular attention to phrases and the detailed dynamics. For a piece like this, the various possible dynamic choices are endless and, as long as they substantiate the text and the performance remains fervent, the dynamics may be altered at the discretion of the conductor. As a composer, I always try to give each work its own identity, and this piece is characterized by first inversion chords. It is fascinating how nothing is really changed, and yet everything has changed. If one tries to move the bass to the root note it is a completely different work; the first inversion chords give a feeling of something endless, and from a musical image echoing the text, “to keep falling, endlessly.” Notes from the Poet and Composer Notes from the Poet and Composer This work comes from amazement – that the encounter with divine love, our relationship with the sacred, is to be constantly astonished by the endlessness of the depths of love. Love's persistence, again and again, whatever our failures to be people of love, is our reassurance of our precious and limitless value in the eyes of our Creator. And this mercy, this depthless mercy, frees us to become ourselves most fully, uncertain, but tenacious pilgrims. The music should be driven forward with particular attention to phrases and the detailed dynamics. For a piece like this, the various possible dynamic choices are endless and, as long as they substantiate the text and the performance remains fervent, the dynamics may be altered at the discretion of the conductor. As a composer, I always try to give each work its own identity, and this piece is characterized by first inversion chords. It is fascinating how nothing is really changed, and yet everything has changed. If one tries to move the bass to the root note it is a completely different work; the first inversion chords give a feeling of something endless, and from a musical image echoing the text, “to keep falling, endlessly.” The Gift to Sing SATB (with divisi) & piano (maximum divisi SSAATBB) Text by James Weldon Johnson Duration: 4:30 48024607 $2.50 More Info Commissioned in honor of Dr. H. Morris Stevens Jr., music educator, conductor, church musician and founder of the St. Edward’s University Masterworks Singers Commissioned in honor of Dr. H. Morris Stevens Jr., music educator, conductor, church musician and founder of the St. Edward’s University Masterworks Singers If there is one thing anyone who has sung in a choir (or other context) knows, it is how singing can “turn the gloom to a cheerful day,” as James Weldon Johnson writes in his poem. We know it from our own experience, but it is even scientifically proven. There are many reasons to sing, and one of them is to bring light into our surroundings powered by our very own voices. And if someone does not think of themselves as a singer, I feel quite confident that Johnson’s poem will make them want to sing at the top of their voice! Composer’s note Composer’s note If there is one thing anyone who has sung in a choir (or other context) knows, it is how singing can “turn the gloom to a cheerful day,” as James Weldon Johnson writes in his poem. We know it from our own experience, but it is even scientifically proven. There are many reasons to sing, and one of them is to bring light into our surroundings powered by our very own voices. And if someone does not think of themselves as a singer, I feel quite confident that Johnson’s poem will make them want to sing at the top of their voice! The Holy Spirit Mass Mixed Voices with Organ or Strings and Piano Vocal Score 48024610 $19.95 Release date in the US: May 2019 Composed to commemorate the 500th anniversary of the Reformation, The Holy Spirit Mass interweaves the familiar Mass texts with English translations of the 9th-century Veni Creator Spiritus (‘Come Creator Spirit’) and Martin Luther’s hymn Come Holy Ghost, God and Lord. This major new choral work encourages unity and reconciliation in the world and celebrates hope for its future. Arnesen’s characteristic rich harmonies and memorable melodic lines combine to create an inspirational and uplifting work suitable for concert performance. This vocal score, which includes accompaniment for organ, can also be used for performing the versions of The Holy Spirit Mass with orchestral accompaniment available on rental from Boosey & Hawkes. Composed to commemorate the 500th anniversary of the Reformation, The Holy Spirit Mass interweaves the familiar Mass texts with English translations of the 9th-century Veni Creator Spiritus (‘Come Creator Spirit’) and Martin Luther’s hymn Come Holy Ghost, God and Lord. This major new choral work encourages unity and reconciliation in the world and celebrates hope for its future. Arnesen’s characteristic rich harmonies and memorable melodic lines combine to create an inspirational and uplifting work suitable for concert performance. This vocal score, which includes accompaniment for organ, can also be used for performing the versions of The Holy Spirit Mass with orchestral accompaniment available on rental from Boosey & Hawkes. I will light candles this Christmas SATB (with divisi) & piano (maximum divisi SSAATTBB) Text by Howard Thurman Duration: c4 minutes 48024571 $2.95 More Info Commissioned by Celia Ellington through LutheranArts in honor of Gary Aamodt’s 80th birthday, and dedicated to the annual St. Olaf Christmas Festival. Commissioned by Celia Ellington through LutheranArts in honor of Gary Aamodt’s 80th birthday, and dedicated to the annual St. Olaf Christmas Festival. Advent and Christmas are times of excitement and celebration. However, it is difficult not to see the darkness of the world. Where the treetops glisten and behind the toys and goodies it can be cold and unsafe. And it is in darkness that we need light. The candle can light our hope and remind us that we are much more than what is darkest in our lives. Therefore this time of the year can be one of light over darkness. I hope the message in this carol can guide us to become carriers of a light that brings joy, hope, courage, peace, grace, and love, now and when the star dims. “Let your light shine before others.” (The Sermon on the Mount) Composer’s note Composer’s note Advent and Christmas are times of excitement and celebration. However, it is difficult not to see the darkness of the world. Where the treetops glisten and behind the toys and goodies it can be cold and unsafe. And it is in darkness that we need light. The candle can light our hope and remind us that we are much more than what is darkest in our lives. Therefore this time of the year can be one of light over darkness. I hope the message in this carol can guide us to become carriers of a light that brings joy, hope, courage, peace, grace, and love, now and when the star dims. “Let your light shine before others.” (The Sermon on the Mount) My flame the song SATB (with divisi) & piano (maximum divisi SSATBB) Text by Euan Tait Duration: 5 minutes 48024605 $2.95 More Info Commissioned in honor of Dr. H. Morris Stevens Jr., music educator, conductor, church musician and founder of the St. Edward’s University Masterworks Singers Commissioned in honor of Dr. H. Morris Stevens Jr., music educator, conductor, church musician and founder of the St. Edward’s University Masterworks Singers We share a fierce, impassioned singing of the life of love. We sing in the lives we lead, by the way we respond to the cry in the human heart. Our lives unfold the powerful potential of love that lives in each one of us, as friends, parents, siblings, partners, colleagues. In making music, singing together lights an extraordinary process in us: we connect from the depths of our beings with each other, with this shared spiritual flame within us, we connect to those we have lost, to those who have sung the same music, we connect to the eternal singing of that vast eternal chord of being human. In performing this work, you will pass on the flame to others. You become its music, its words: your spirit cries out, here. Composer’s note Composer’s note We share a fierce, impassioned singing of the life of love. We sing in the lives we lead, by the way we respond to the cry in the human heart. Our lives unfold the powerful potential of love that lives in each one of us, as friends, parents, siblings, partners, colleagues. In making music, singing together lights an extraordinary process in us: we connect from the depths of our beings with each other, with this shared spiritual flame within us, we connect to those we have lost, to those who have sung the same music, we connect to the eternal singing of that vast eternal chord of being human. In performing this work, you will pass on the flame to others. You become its music, its words: your spirit cries out, here. Ubi caritas et amor Duration: 4 minutes Release date in the US: March 2019 SATB (divisi) a cappella (maximum divisi SSAATTBB) 48024606 $2.50 More Info SSAA a cappella 48024609 $2.50 More Info Commissioned by the Athens Master Chorale, Athens, Georgia, for Joseph S. Napoli, founder and conductor, in honor of his 50 years of loving devotion to the art of choral music. Commissioned by the Athens Master Chorale, Athens, Georgia, for Joseph S. Napoli, founder and conductor, in honor of his 50 years of loving devotion to the art of choral music. The actual origin of the text Ubi caritas et amor is unknown, but it has been dated to some point between 300 and 1100 AD. The text is typically sung during the Washing of the Feet at the Mass of the Last Supper on Maundy Thursday (Holy Thursday). The word “caritas” has many shades of meaning, and there are some nuances that seem to be lost in its translation. While the word “charity” is mostly used about voluntarily giving, the word “caritas” also means honesty, heartfeltness, dearness and tolerance. In a world with a lot of tension and disunity I wanted to write a piece that sings about the commandments to love one another. As ever, choirs performing this work should aim for a good balance between the voice parts, and the music should always be flowing but never hurried. Composer’s note Composer’s note The actual origin of the text Ubi caritas et amor is unknown, but it has been dated to some point between 300 and 1100 AD. The text is typically sung during the Washing of the Feet at the Mass of the Last Supper on Maundy Thursday (Holy Thursday). The word “caritas” has many shades of meaning, and there are some nuances that seem to be lost in its translation. While the word “charity” is mostly used about voluntarily giving, the word “caritas” also means honesty, heartfeltness, dearness and tolerance. In a world with a lot of tension and disunity I wanted to write a piece that sings about the commandments to love one another. As ever, choirs performing this work should aim for a good balance between the voice parts, and the music should always be flowing but never hurried.

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Robert Baksa | Hal Leonard Robert Baksa Robert Baksa was born in New York City in 1938 of Hungarian Parentage and is one of America's most prolific composers. He grew up in Tucson, Arizona and eventually earned a BA in Composition at the University of Arizona. He returned to live in New York City in the early 60s. He has written more than 500 pieces of music since his first efforts as a teenager. Since his earliest New York reviews critics have noted his melodic gifts, the structural clarity and harmonious nature of his music. His first pieces, short piano pieces written in the early 1950s which he later arranged for wind trio, are in fact still being performed around the world. His numerous choral pieces have been performed in many countries and his art songs have been featured in two recent studies on the subject of American Art Song. Performers who have been associated with his music include Harpsichordist Elaine Comparone who has commissioned a number of works, Saxophonist Paquito D'Rivera, Sharon Robinson, The Boehm Wind Quintet, the Virtuosi Wind Quintet, the Bronx Arts Ensemble, the Sylvan Winds and the St. Luke's Chamber Ensemble which began its existence with a full evening of Baksa's music. The composer makes his home in Columbia County in the Mid Hudson Valley where he serves as New Music Coordinator and Composer in Residence for the Pleshakov Music Center. Publications by Robert Baksa

Paul Creston | Hal Leonard Paul Creston Paul Creston (1906-1985), born Joseph Guttoveggio, was one of the most widely performed 20th century American composers. His compositions were performed by many of the world’s most distinguished orchestras and conductors, including Toscanini, Ormandy and Stowkoski. His parents, recent immigrants from Sicily, encouraged his musical talents as much as their limited resources allowed. Creston had formal lessons in the piano and organ, but was entirely self-taught in composition. During his long career, he wrote over 150 compositions including six symphonies, concerti for various instruments, choral music, music for concert bands, television scores and ballet music. His works are characterized by their intricate rhythms(often influenced by dance), melodic richness and a flexible approach to tonality. They are much loved by performers and audiences since they manage to combine musical traditions of the past in a more modern idiom. Creston was also a fine pianist and organist, and often conducted his own compositions. He was the recipient of numerous awards during his lifetime, including: the Music Circle Critics Award, the American Academy of Arts and Letters Award, and two Guggenheim Fellowships. Some of his most popular pieces are published by Shawnee Press including: Sonata for Saxophone and Piano, Op. 19 and Night in Mexico. Publications by Paul Creston

Hal Hopson | Hal Leonard Hal Hopson Hal H. Hopson (b. 1933) is a full-time composer/church music clinician residing in Dallas, Texas. He has over 1,000 published works, which include almost every musical form in church music. With a special interest in congregational song, he continues to make a significant contribution to the new repertoire of hymn-tunes and responsorial psalm settings as evidenced by the proliferation of his settings that are included in hymnals and psalm collections. His cantata, God with Us, was one of the few compositions selected by a panel at the Kennedy Center, Washington, D.C., to be placed in a capsule during the American Bicentennial in 1976. The capsule will be opened at the Tercentennial in 2076 and will be heard again as a representative piece of American choral composition of this century. Mr. Hopson is active as a conductor and clinician, having conducted choral festivals and workshops in this country, Europe, and Asia. More recently he has been recognized for his contribution to music by being included in The International Who's Who in Music, Cambridge, England, and by being awarded the esteemed title of National Patron by Delta Omicron, a national professional fraternity of musicians. He is active in several professional organizations, having served on the national boards of The Presbyterian Association of Musicians and Choristers Guild. As a member of ASCAP, Mr. Hopson has received an annual award from that agency for many consecutive years.

Joseph M. Martin | Hal Leonard Joseph M. Martin Joseph Martin (b. 1959 ), a native of North Carolina, earned his Bachelor of Music degree in Piano Performance at Furman University in Greenville, South Carolina. Subsequently he earned a Master of Music degree in Piano Performance at the University of Texas, Austin. Joseph taught for five years in the Piano Pedagogy Department of the University of Texas. His piano teachers include Jimmy Woodle, David Gibson, Amanda Vick Lethco, Martha Hilley and Danielle Martin. While at Furman University, he was accompanist for choral director and composer Milburn Price and, inspired by his teaching, Martin began to compose. He is a member of the staff of Shawnee Press as Director of Sacred Publications, with responsibilities for overseeing the editorial and creative direction of the company’s sacred publications and also coordinating the recording and production aspects of future sacred publishing efforts. Joseph has performed solo piano recitals and has been the featured artist with symphony orchestras in the United States and Mexico. As winner of the Nina Plant Wideman Competition, he performed with the Guadalajara Symphony Orchestra. His solo recital in Ex-convento del Carmen was broadcast nationally throughout the country. Though he continues to perform in concert, he now devotes his efforts to playing in churches and for conferences of church musicians His first solo piano recording, American Tapestry, was nominated for a Dove Award. This album, along with his other recordings (Songs of the Journey, Celtic Tapestry, and A Christmas Tapestry) has been enormously popular in the sacred and secular markets. He has recorded for Yamaha's Disklavier series and has composed hundreds of commissioned works. Recognized throughout the United States for his many choral compositions, over 1200 compositions are currently in print and the list continues to grow. His composition ""Pieta"" was recently honored with an award from the John Ness Beck Foundation. In 2008 he was inducted as a National Patron of the Delta Omicron International Music Fraternity. Along with Mark Hayes and David Angerman, Joseph has co-authored a fully graded, progressive piano method for the Christian student called Keys for the Kingdom. His major works include nearly 40 choral cantatas and extended works and Song of Wisdom, a choral tone poem based on the best-selling children's book, Old Turtle. His music can be heard in such diverse locations as Carnegie Hall in New York City; the Lawrence Welk Theatre in Branson, Missouri; and in hundreds of worship services in churches across the United States and Canada. In addition, his works have been performed in cathedrals in Germany, Austria, England, Ireland, Scotland and Austria. Joseph lives in Austin, Texas with his children Jonathan and Aubrey and his wife Sue. Publications by Joseph M. Martin

Anne McGinty | Hal Leonard Anne McGinty Anne McGinty is known throughout the world as a prolific woman composer in the field of concert band literature, having written more than 225 pieces, with more than 50 of those commissioned by bands across the United States. Thousands of people have played her music and discovered the joy and beauty of playing music that is both educational (helping instrumentalists learn basic musical skills) and also musical, engaging their imagination and encouraging them to stay in the instrumental music program. In addition to concert band, she has written for solo flute with band, solo clarinet with band, brass band, string orchestra, solo flute, flute with piano accompaniment, and music for flute duet, trio, quartet and choir. All of her compositions and arrangements have been published. She received her Bachelor of Music, summa cum laude, and Master of Music from Duquesne University, Pittsburgh, Pennsylvania, where she concentrated on flute performance, music theory and composition. She studied flute and chamber music with Bernard Goldberg and composition with Joseph Willcox Jenkins. Anne is a member of the American Society of Composers, Authors and Publishers (ASCAP) and has received annual composition awards since 1986. She received the Golden Rose Award from the Women Band Directors National Association and the Outstanding Service to Music Award from Tau Beta Sigma, a national honorary band sorority. Publications by Anne McGinty

Linda Spevacek | Hal Leonard Linda Spevacek Over the past two decades, Linda Spevacek has become one of the most successful composers in modern choral music. She has sold more than 7 million copies of over 700 published compositions and arrangements. Linda has continued to keep her compositions original and creative while maintaining the consistency and integrity that has given her a world-renowned reputation. Dynamic, inspiring, creative and expressive are just a few words that describe the level of excellence found in every Linda Spevacek composition, arrangement, seminar and reading session. In addition, singers from all over the world performed her arrangements twice on the nationally televised MENC World's Largest Concert on PBS. Several of her works have been premiered at annual conventions of the American Choral Directors Association, the Music Educators National Conference and on the Hour of Power at the Crystal Cathedral. Linda was a featured conductor at Carnegie Hall in New York in 1999. Her work has won repeated awards from the American Society of Composers, Authors and Publishers (ASCAP) in recognition of her outstanding achievements and success. She has composed commissions for many large massed groups around the country (many of these compositions have become signature pieces for the choirs). In addition to membership in ASCAP, Linda is a member of The American Choral Director's Association (ACDA), The Music Educators National Convention (MENC), the National Teachers of Singing (NATS), and Sigma Alpha Iota (SAI), a professional sorority of women musicians. In addition to her published titles, she has authored seven choral collections, five piano books and six vocal collections. Linda's energy and devotion to working with singers at all levels have resulted in numerous invitations as guest conductor for various national, state, regional and choir, church, and school honor festivals. Linda's schedule includes conducting, judging and teaching across the United States and Canada. Linda has an education degree from the University of Wisconsin in Madison with her primary emphasis on voice, piano and theory. She has since worked extensively with elementary, junior and senior high school choirs, community choirs consisting of youth, high school, college and adult levels as well as church choirs of all sizes and denominations. Linda is one of the most sought after judges, workshop and reading session clinicians in the country. Her dynamic clinic presentations include a variety of topics from vocal technique, creative programming, teaching musical sensitivity through literature, success with the non-singer, recruiting and teaching males, editing accompaniments, composing a mini-opera, creative workshops combining youth/adult choirs, working and recruiting the male singer and a motivational/inspirational sessions. Linda pursues her full time writing career from her home. She lives in Phoenix, AZ where she maintains a diverse voice studio. Publications by Linda Spevacek

Joan Tower | Hal Leonard Joan Tower Joan Tower is widely regarded as one of the most important American composers living today. During a career spanning more than fifty years, she has made lasting contributions to musical life in the United States as composer, performer, conductor, and educator. Her works have been commissioned by major ensembles, soloists, and orchestras, including the Emerson, Tokyo, and Muir quartets; soloists Evelyn Glennie, Carol Wincenc, David Shifrin, Paul Neubauer, and John Browning; and the orchestras of Chicago, New York, St. Louis, Pittsburgh, Baltimore, Nashville, Albany, and Washington D.C. among others. In 2019 the League of American Orchestras awarded her its highest honor, the Gold Baton, at the League's 74th national conference. Tower is the first composer chosen for a Ford Made in America consortium commission of sixty-five orchestras. Leonard Slatkin and the Nashville Symphony recorded Made in America in 2008 (along with Tambor and Concerto for Orchestra). The album collected three Grammy awards: Best Contemporary Classical Composition, Best Classical Album, and Best Orchestral Performance. Nashville’s latest all-Tower recording includes Stroke, which received a 2016 Grammy nomination for Best Contemporary Classical Composition. In 1990 she became the first woman to win the prestigious Grawemeyer Award for Silver Ladders, a piece she wrote for the St. Louis Symphony where she was Composer-in-Residence from 1985-88. Other residencies with orchestras include a 10-year residency with the Orchestra of St. Luke's (1997-2007) and the Pittsburgh Symphony (2010-11). She was the Albany Symphony’s Mentor Composer partner in the 2013-14 season. Tower was cofounder and pianist for the Naumburg Award-winning Da Capo Chamber Players from 1970-85. She has received honorary doctorates from Smith College, the New England Conservatory, and Illinois State University. She is Asher Edelman Professor of Music at Bard College, where she has taught since 1972. Publications by Joan Tower

Online License Request - Broadway Junior: 60-Minute Musicals | Hal Leonard ONLINE LICENSE REQUEST Please complete all fields Please DO NOT use this online license request form IF you are ordering a ShowKit through one of our music retailers. If ordering through a retailer, you will automatically receive a license once the they have submitted the order to us. Please Select A Broadway Junior: 60 Minute Show 13 Jr. Disney's Alice In Wonderland Jr. Disney's Aladdin Jr. Annie Jr. Disney's Beauty and the Beast Jr. The Big One-Oh! Jr. Bugsy Malone Jr. Chitty Chitty Bang Bang Jr. Dear Edwina Jr. Doctor Dolittle Jr. Dot And The Kangaroo Jr. The Drowsy Chaperone Jr. Elf The Musical Jr. Fame Jr. Fiddler on the Roof Jr. Disney's Finding Nemo Jr. Flat Stanley Jr. Disney's Frozen Jr. Magic Tree House: A Ghost Tale for Mr. Dickens Jr. Godspell Jr. Guys and Dolls Jr. Disney's High School Musical Jr. Honk! Jr. Into the Woods Jr. Roald Dahl's James and the Giant Peach Jr. Junie B. Jones Jr. Legally Blonde Jr. Disney's The Lion King Jr. Disney's The Little Mermaid Jr. Madagascar: A Musical Adventure Jr. Disney & Cameron Mackintosh's Mary Poppins Jr. Roald Dahl's Matilda Jr. Mean Girls Jr. Disney's Moana Jr. The Music Man Jr. Disney's My Son Pinocchio Jr. Disney's Newsies Jr. Oliver Jr. Once on This Island Jr. Peter Pan Jr. The Phantom Tollbooth Jr. The Pirates of Penzance Jr. Rudolph The Red-Nosed Reindeer Jr. Schoolhouse Rock Live! 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Online License Request - Broadway Junior: 30 Minute Musicals | Hal Leonard ONLINE LICENSE REQUEST Please complete all fields Please DO NOT use this online license request form IF you are ordering a ShowKit through one of our music retailers. If ordering through a retailer, you will automatically receive a license once the they have submitted the order to us. Please Select A Broadway Junior: 30 Minute Show Disney's 101 Dalmatians KIDS Disney's Aladdin KIDS Annie KIDS Disney's Finding Nemo KIDS Disney's Frozen KIDS Disney's Jungle Book KIDS Disney's The Lion King KIDS Disney's The Aristocats KIDS The Music Man KIDS Magic Tree House: Dinosaurs Before Dark KIDS Magic Tree House: The Knight at Dawn KIDS Magic Tree House: Pirates Past Noon KIDS Roald Dahl's Willy Wonka KIDS Seussical KIDS Disney's Winnie the Pooh KIDS A Year with Frog and Toad KIDS Bill To: School/Organization Name/Title Address: City State / Province Select a State/Province Alabama Alaska Arizona Arkansas California Colorado Connecticut Delaware District Of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Alberta British Columbia Manitoba New Brunswick Newfoundland and Labrador Northwest Territories Nova Scotia Nunavut Ontario Prince Edward Island Quebec Saskatchewan Yukon APO/FPO AA APO/FPO AE APO/FPO AP American Samoa Guam Northern Mariana Islands OTHER ISLANDS Puerto Rico Virgin Islands Zip Country Select a Country United States Canada Afghanistan Aland Islands Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua and Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belgium Belize Benin Bermuda Bhutan Bolivia Bonaire, Sint Eustatius a Bosnia and Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Brunei Burkina Faso Cambodia Cameroon Canada Cape Verde Cayman Islands Chad Chile China Christmas Island Cocos (Keeling) Islands Colombia Comoros Congo, The Democratic Rep Cook Islands Costa Rica Cote D'Ivoire Croatia Curacao Cyprus Czech Republic Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territori Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard Island and McDonald Holy See (Vatican City) Honduras Hong Kong Hungary Iceland India Indonesia Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Korea Kuwait Kyrgyzstan Lao People's Democratic Latvia Lesotho Liberia Liechtenstein Lithuania Luxembourg Macao Macedonia, The Former Yug Madagascar Malawi Malaysia Maldives Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Mexico,LA,Caribbean,Mid East,Africa Micronesia, Federated Sta Monaco Mongolia Montenegro, Republic of Montserrat Morocco Mozambique Myanmar Namibia Nauru Nepal Netherlands New Caledonia New Zealand Niger Nigeria Niue Norfolk Island Northern Mariana Islands Norway Oman Pakistan Palau Palestinian Territory, Oc Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Poland Portugal Puerto Rico Qatar Reunion Rwanda Saint Barthelemy Saint Helena Saint Kitts and Nevis Saint Lucia Saint Martin (French Part) Saint Pierre and Miquelon Saint Vincent and the Gre Samoa San Marino Sao Tome And Principe Saudi Arabia Senegal Serbia, Republic of Seychelles Sierra Leone Singapore Sint Maarten (Dutch Part) Slovakia Slovenia Solomon Islands South Africa South Georgia and the Sou Spain Sri Lanka Suriname Svalbard and Jan Mayen Swaziland Sweden Switzerland Taiwan Tajikistan Tanzania, United Republic Thailand Timor-Leste Togo Tokelau Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks And Caicos Islands Tuvalu U.A.E. 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